María Grever exploded the length of his life all the facets that allow the music. At the new year they are in his first musical composition in the college and, from this moment, thanks to his talent and also the economic possibilities of his father, his formation is central to the music received by master classes Claude Debussy and Franz Léhar of Francia. Last year, the unstable political situation in Mexico forced him to travel to the United States, where he was converted into a figure of international fame: singing, composing so many popular songs and ballads as melodic background music, artist representative.
Grever cancels the tax rules and has a home in the history of the music in a camp that is currently exclusively for men. Thanks to his prolific work as a composer, the most famous artists at the international level will release their songs and locations in the first releases of the long list of excitations.
Probe ban, the live staff of the Mexican composer not always easy and exhausting: his first hit failed in six months and he decided to start playing music. Years later, in the United States, even more famously known as the poorest, and the need to do everything to keep up with his family, from board to board have been able to sell his piano…
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The rest of his life is played on horseback between the United States and Mexico, where he always recovers as a diva of the music that is situated in his country and his music in the world. Although failing in New York, it was ultimately voluntary that its mortal remains be repaid forever in Mexico City as well.
María Joaquina de Portilla Torres, his great-granddaughter, was born in the Mexican city of León on September 14, 1885. On her father, Francisco, was an Andalusian businessman, and his mother, Julia, a Mexican ascendant of Spain. Tres hermanos más kompían la familia numerosa, cuya prima vivienda fue la hacienda de San Juan de los Otates, propiedad de su abuelo materno, el español Gerónimo Torres.
The negotiations of the father were transferred to the whole family in Spain when Mary was ten years old. In Seville, and thanks to the commercial exits of the family cabeza, the four men will receive an education that includes particular professors of English, French, piano and song.
Thank you for this restricted formation, the little one María Grever pronto sobresalió en el ambituo muzykblyspel. His first composition known the realization of ten years ago. It was a simple villanco realized as a schoolgirl, but interpreted in the Christmas festivities of his college, the Sagrado Corazón, in December 1894. A plaque with the inscription “A Maria Joaquina de la Portilla, niña prodigio”, recorded in his pass por las aulas sevillanas.
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His progress in eran music is reconciled by all, as his father hizo case of the advice and decision to invest in the talent of his hia giving to his disposition to the best masters of piano and the song of the era, first in Seville, located in Madrid and, ultimately, in Europe. One more time, the possibilities of donating Francisco allowed Maria to travel to Paris and receive classes from France’s most important composer at the moment, Claude Debussy.
María Grever también fue discípula, más tarde, del compositor austriaco Franz Lehár, who always recognizes his influence and is most appreciative of “agreeing that I will not be subject to musical technique, which will be spontaneous and sincere. And all my music has this cello, the song and the writing that I think about and for the most part it goes to Lehár ”.
In 1900 it regressed to Mexico and continued his music studies in the solfeo school conducted by his Cuca Torres. 18 years ago Mary published her first song, A One, which sold millions of copies and was released by numerous artists. She follows music studies, perfecting her technique and also accompanying her with the facility of writing to compose.
In 1906, at the age of 21, he joined the City of Mexico in Leon Augusto Grever, an executive of a state-of-the-art petrol company with which he had one year later. He took the call to pass to the poster like Mary Grever. The first years of happiness and excitement have passed with difficult and painful moments, including the decision to translate into the United States: by a lad, the disturbances originated by the Mexican Revolution, and by another, and fundamentally, the death of his first to the six months of nacer.
María confessed at the time that he had decided to start the music and that he would stay for a few months, but at the end it was said that he was in the only one on which he could take refuge. In the famous years 20 grabs of discos as a song and comedy to work also as a music composer of background music for the studios Paramount Pictures and 20th Century Fox.
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Its second regression in Mexico began in 1929, when it was 44 years old. Mary Grever, apodada ya la Madona de la canción, fue recibida a su llegada coma una diva a la que reconocían como lax artist meista mex international. Without embarrassment, time has passed since the most famous era in the United States also has more power, because the rights of author of his songs are not available to live and you who dedicate to make panels and have sold your piano to make guests .
Malachi racha, sin embargo, pasó, ya su regreso a Estados Unidos el écito ya fue incuestionable y continuo. Grever emphasizes the importance of having the ability to compose and begin to be interested in the jazz and the modern rhythms that surgeon in United States, but with the goal of giving Mexican music to the people of the city.
The first international success of María Grever fue Júrame, a habanera-bolero interpreted in a masterful manner by the tenor José Mojica. The song is converted into one of its most exciting songs in the universal music of its time and was performed by artists from the tales of Nelson Ned, Plácido Domingo, Hugo Avendaño, Luis Miguel and Libertad Lamarque.
Siguieron otros écitos, como Volveré, Te quiero, dijiste, escrito para la pelicula de Esther Williams de 1944 Bath beauty, así como When you wake up and load, with what I won Grammy af 1959 cantada por la leyenda del jazz Dinah Washington.
On February 11, 1938, Grever grabbed Tipitipitin, a waltz about the serenade to the queridos who were converted into another of the mayors excited.
Artists of different styles and nationalities interpreted the songs of Maria Grever. In addition to his mentions, there are other world-famous songs that he released on his songs Enrico Caruso, Ray Conniff, Bobby Darin, Nicolás Urcelay, Andy Russell, Dean Martin, Aretha Franklin, Rod Stewart, Alfonso Ortiz Tirado, Juan Arvizu, Néstor Mesta Chayres, Barry Manilow, Natalie Cole, Gloria Estefan and Amy Winehouse.
The length of his life Mary composed the lyrics and music of more than 800 songs that were performed in English and Spanish. Many of them are converting into international exits in America and Europe to capture the first hits of the charts on musical radios.
In 1949 it regressed for the last time to Mexico and received all types of homages: the train was carried by the Llaves of the City of Mexico, the Medallion to the Central Mexico and the Medal of the Corazon of Mexico. Approve this journey to work as a presenter on the XEW television program, participate in radio programs containing anecdotes of his life and write an autobiographical book antes regress to New York.
Along with the Cuban Maria Teresa Vera, his compatriot Consuelo Velázquez forms the triumvirate of female composers who are stationed around the world at the international level.
María Grever bankruptcy in New York on December 15, 1951 at the age of 66. His mortal remains descended into the Spanish Pantheon of Cement of Mexico City, ultimately voluntary by the artist.
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Two years after his death, in 1953, Tito Davison made the biographical film When my vaya, melodrama about the life and work of María Grever protagonist of Libertad Lamarque. En su ciudad natal en Guanajuato, Leon, has a statue in honor of the composer and also has a theater in his name.
María Grever was a cult person who always lived in Mexico in the coronation. His lyrics and his music capture the alma mater of women listening to his songs because the harmony is a virtue added to his great talent.