Although there is a series that is thought of by fans of the Marvel Universe, ‘WandaVision’, the first original Marvel project for the Disney + digital platform, is more than just a sequel to the adventures of some of the characters presented in the Avengers saga: it’s a program that will make you go public, and it’s a surprise that lo moegheid, y con éxito.
For those who are not completely like the one who is who and what is that in the Marvel Cinematographic Universe, I know that there are no precedents: Elizabeth Olsen, hermana de las famosas and polemicas gemelas y actriz reconocida por merit propio, es Wanda Maximoff (also known as Scarlet Witch in the original comics) and the English Paul Bettany, directed by Jennifer Connelly and versatile interpreter of cinema and theater, es Vision, a superintelligent android.
Ambos conforms to a very attractive romantic couple of superheroes, who now have the adventures of the superhero ‘Avengers: Endgame’, have a balance of a normal life, for that matter it is a series of encounters in the idyllic Westview apartment, a residential suburbio of good houses with garden, while maintaining the dark powders of his meteoric vine, Agnes (the hilarious Katherine Hahn of ‘I Love Dick’, which can be much more than a simple love affair with a lot of curiosity about its new vecinos) and lies of the mirones of the world … although it treats to be ordinary people for a mutant and an android easy thing, as iran descibriendo the spectators in conformity will unfold the tram, which appears to be a romantic comedy, but also has other elements that afianzan to the series in the universe to which they belong
In the production that was being refurbished, each episode of the series was being worked on; it is perceived that the books do not have false passages, in addition to the fact that much care has been taken in the design of art and in the ambience. If you are surprised by the crowds of spectators, you can decide has a tendency to render ‘homage’ with humor in classic TV movies like ‘Yo Amo a Lucy’ or ‘Hechizada’, but with a unique touch: each episode is set in a distinct era – the 50s, 60s and more – and it shows the evolution of the couple and the family that it forms, the margin of being extraordinary that he enrolled (y podrían volver a enfrentar) peligros terribles.
Fans of the cinematographic series record that Vision was disconnected the last time he saw us (in ‘Avengers: Infinity War’), as well as one of the themes that the series has, is the resolution of this mystery that could be the indication of a sinister maldad that subyace in the surface happy of the domestic paradise that Wanda has created for her and her love.
The series takes care of its pistes and poco to the spectator and finds that there is more to the tram: for those who are not fans of the series this may pass in the middle of nowhere, while in addition the additional obstacle that Wanda has to alternate the reality and make it all possible to change, each time being arranged; the ones who know the original comics in the ones that inspire the series (the miniseries that were published in the 80s and the twentieth century that follow the Marvel universe in later decades) say that the adorable gemelites that engendran, are not what they appear, and that todo tarde o temprano saldrá a la luz.
The series, a mix of adventure, suspense and romantic comedy, offers something for everyone: it is made with intelligence and elegance. The parodies of the classic sitcoms are entertaining, the humor that is used, the actions (especially of Olsen and Bettany, the fabulous chemistry) are first, and the sensation of being a project that is armed with care, by people that’s exactly what’s needed for this platform, a creative team that knows where to go and how to do it.
As it turns out, the most embarrassing matrices, which seem to be between such an allegory and the weight and texture of each episode. The light and the obscurity are related to perfection, and the parodic element is never just a distracting element, but is an integral part of the story. And the most remarkable, is that does not have a cynicism in the product, as by the accusation it added to ‘Wonder Woman 1984’ by having given up the focus of the focus groups, thus losing the rumor that could be shed, to complain to the spectators, tracing the proposition of the original comics.
‘WandaVision’ has a ‘high concept’ that it has a very desperate element and because it has been discussed, because some of the words ‘Marvel’ think in action without descending to practically all the duration of the movie, and here are more privileges the development of characters (here we learn more about Wanda from what we show his appearances in episodes of Avengers and Captain America) and the comedy, also challenges the composition of his formal forms and conventions. There is a generous dose of guinea pigs for the adventures of the Marvel Cinematic Universe, but it also has the intention of sharing with viewers who are moving by curiosity or publicity. It’s not clear that this is an American pie with superhero species that is not for them, but for those who enter the game, ‘WandaVision’ is really like a shelf.