“Chant mal, bailo mal, pero no me da pena … ¡ya puedo ser un popero!”, Exclama bromista Tenoch Huerta, durante la noche en que se adueña de la explainedada de un commercial de la Mexico City.
The actor of Narcos: Mexico and Gueros, together with the filmmaker Andrea Martínez, has been making corporate appearances for a few minutes while choreographing and singing “I do not trust the moon”, a theme that is popularizing Daniela Romo in the decade of the ochenta.
Each one has the letter in some moment the letter and rhyme.
She indicates that she must look in the room, while waiting for a bath. She approves of the fact that she has a quadruplicate and can do one more thing.
Tenoch and Andrea are consulted mutually.
“Yo como actor no veo el monitor, no me correspondonde eso, hago la scena y si gustó adelante, si no, repetir. Here I am in pants ”; Tenoch Huerta, actor.
‘It’s our moment La La Land“Refireer Andrea feliz, in a moment preview of the sequel to the sequel where toman has a baton and a number, with which to increase the visibility of the musical number.
The stage is Tare’s part, largometry that is in its last week of filming, the one that represents the debut of Tenoch as director and Andrea (Insignificant things and Cyclo), as an actress.
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Tare, who transcends in one night, shows to two persons, a woman who has lost the love of her life and her actuation of action, who through a party has a recourse to the Mexican capital.
“In the long run of history we play with the clichés of the history of cinema, with important moments and songs we love this musical ”, Andrea refrains.
Sin miedo al pop
The stage allows them to rent and sing to the rhythm of a song from the 80s.
Clichés: The guión contains various cinematographic references.
Tenoch accepts to go through the camera to diversify a little on his career, but the main thing is to meet with a functional dynamics for her.
“It’s constructing things during the road, it’s what I like to do, because I’ve staging the story to Andrea, in which case I find it most effective that she has a drawer and no one else, for example.
“I have many points; when there are differences, there is the vision that dominates it, that it is what it is, ”says Tenoch, who is also a producer.
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Tenoch señala: “Yo como actor no veo el monitor, no me correspondonde eso, hago la scena y si gustó adelante, si no, repetir. Here I am in pants and wearing what I need (the directors), I want them to be more, more precise and that’s what they are wearing ”.
The story is part of a loss that will overwhelm the director and cause him pain in recent years. But in the process of showing a room, Tenoch’s participation is fundamental.
“When the principle takes me (a team) me odiaba to my misma, decia is not here (the stage) and he decides that he, entiences tenia to trust in his ojo”, the director says.
Make use of a button that has a button on it to reset, but still take into account that it exists. It’s a production of bad presupuesto, which fines from last year’s acudió to a platform to obtain 400 miles pesos that will allow to complete the dinners.
One of the compensations for some of the supporters was that Tenoch would be serenade, the cual would have no virtual manner under the current sanitary conditions.
“I made five people who did not necessarily value their eyes, and saw that they could not regress their money to their song, no song, but no one to me,” concludes the story.
Primerizos: The debut of Andrea como actriz and the Tenoch como director.
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