The star “I Care a Lot” said she was photoshopped on the poster for ‘Johnny English’.
Rosamund Pike is currently enjoying a worldwide audience with the Netflix hit “I Care a Lot,” in which she stars as a shadowy legal guardian who drains the bank accounts of her elderly wards. Recent press has given her the opportunity to look back on her career as an Oscar nominee for “Gone Girl”, and more, including a role in the action comedy “Johnny English Reborn” from 2011. Pike actually spoke on “The Kelly Clarkson Show ‘and took the opportunity to address an issue she had previously indicated, namely that her body be changed and photoshopped for the poster of the film.
‘For the poster for Johnny English [Reborn]”My breasts have been enlarged,” she said. “On the poster for the character recording, I have a very impressive coffin that I do not have.”
Pike also said that the color of her eyes for a recent film, last year’s “Radioactive” in which she played as Marie Curie, changed to her surprise.
“For ‘radioactive’, strange, they made my eyes brown. I still do not quite know why. Kind of brown-hazel color. ”
She added, in the excerpt you can see below, that she also wondered how many times her body had been photographed other times without realizing it.
‘These are the obvious times, are they? If you do notice, “Oh, I have brown eyes,” or “I have massive breasts.” But there are probably countless times where our image is doctored and we do not notice it, ”she said. “Because I think we all lose our grip on what we really look like.”
Pike is not the only actress in commercials to be Photoshopped. Zendaya, another actress with a current Netflix movie thanks to ‘Malcolm & Marie’, called the modification of the body in 2015 in Modeliste Magazine and wrote on Instagram: ‘A new recording appeared today and was shocked when I pretty much manipulated my 19-year-old hips and torso. These are the things that make women self-aware, that create the unrealistic beauty ideals we have. ‘
‘I Care a Lot’, starring Pike and directed by J Blakeson, is now on Netflix. Read IndieWire’s review here.
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