“Lavaperros is not a narcotics movie, it’s something more,” said director Carlos Moreno referring to his most recent film. Although there is no list for training in April of this year, the pandemic hizo that all would lead to an unexpected shift. “I felt like I was in a coma”, Moreno recalls in a charla with the TIEMPO of Chile, which is ending a miniseries around the rock band Los Prisioneros.
We invite you to learn: Music, Tropical and Crime: The Cinema by Carlos Moreno
“I think I’ve been willing to commit, but we want to meet,” he said, acknowledging that this action was a cruel act of humor. But now Moreno can recover from this ‘coma cinematographic coma’.
Lavaperros, with a handful of writers Pilar Quintana (recent winner of the Novelty Alfaguara Award) and Antonio García Ángel, will star on March 5 on Netflix. And the idea is to be able to take them to the movie theaters. We live a community that takes us first to the platform (…). What happened in the world invited the makers of mantenerse companies in the proposal to tell stories Independently of donate is vean. I exclude any agenda of those who want to give only priority to the movie theaters, in reality being treated like a person, and with this stride on the platform I am very organized with the movie “, afirma.
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What is Lavaperros? Response is simple: it’s an adventure that turns people into characters who have the life of a hilo. Some people move in the criminal world and other countries with the power to resolve a problem quickly. Have a mafioso in decadence (don Oscar, interpreted by Christian Tappan); a guardaespaldas –al que le dicen Bobolitro– que parece compaginar muy bien su trabajo con la fe y su entrega a Jesucristo y, junto a ellos, otros persona que se mueven entre una oleada de traición y violencia, contada con un estilo a visceral veces ya veces divertido.
Bobolitro is a person of contrast between the tram.
“There is a character who, literally, is looking to build on the other types of horses in this universe of small boys who are very big. Ponerle is the title of this movie because of a challenge, because at the time the story was being played and there were no proposals for the spectators who wanted to make some erroneous assumptions, ”Moreno doubled.
“The most debilitating part of social injustice is that we all go to the politicians, the boards or even the streets. Sample the ones that are always present in the unspeakable areas of work (…). Decadent characters with a very moral demeanor in a very small universe ”, congratulate the director, who approved to inject a bit of humor and make a caricature of the tram.
Without elaborating in detail, Lavaperros also wants to see something that is pierced and that is essential for the protagonists to have some peace of mind. From the plateau to the ignorance of the cordura, through a relationship in which a whole variety of carcasses, while gradually complicating the situation of the protagonists.
The movie appears to be influenced by characters like the Jackie Brown, Quentin Tarantino, is a cult classic from 1997 in which an azafata term traits its principles and those who move to their place while the life appears do not give a salida. No en vano is one of Moreno’s preferred movies.
Sample the ones that are always present in the unspeakable areas or the work
Lavaperros is the filmmaker’s quarterback of 52 years who started his career in cinema with Perro kom perro (2008) y que llevó también a la pantalla grande All your deaths (2011) y What music lives on! –Free version of the homonymous novel by Andrés Caicedo–, which was released in 2014.
Assimismo dirigio la serie Slavic District (also for Netflix); episodes of the series Rubirosa (broadcast in Claro Video) and the documentary Guerras ajenas para HBO, entre otras productions.
Christian Tappan hacen of a traqueto en decadencia que vive en Tuluá.
“Here I have no epic, but I have this very idea of thinking: ‘¿And so much roll, so much violence for it?’ ”, Reflection of the director. Lavaperros logra que uno no pierda de vista la wrede evolutionujon de don Óscar, dejande ver que es más peligroso de lo que parece y que no puede mantener su poder, reflejado en una casa de campo agrietada y casi abandonada, como metaphora de sus malas decidissings y of this violence that the rod.
Exactly, the actor Christian Tappan points out, thanks to a grandiose interpretation of this type of malady that dies in his excesses.
Lavaperros also decided to make a social critique, in some cases uncomfortable; lveva al spectador a una specie monaña rusa en la que se tiene cirta empatia por toda esa caricatura de la maldad y la carencia, pero luego reaparece una brutalidad ya normalizada o assumida para recordar en en lugar donde desarlola la historia todo se idea of having power and subordination and always being in conflict by assimilating power.
“I believe I have more bandits than bandits, y todo el mundo exige autoridad, pero nadie está dispuesto a cumplirla ”. It is a reflection that Carlos Moreno shares and can be part of the discussion that can generate a lie to see the film. It’s time to leave.
Andrés Hoyos Vargas
@ AndresHoy1