Mario Casas plays the Goya as the best protagonist of 2021 by “No Matarás”

The actor Mario Casas has won the award Goya to the best protagonist actor on his Danish paper in “No Matarás”, the Catalan David Victori’s largometry, impressed by the candidacies of Javier Cámara, Ernesto Alterio and David Verdaguer.

Mario Casas, who appeared with an Iron Man hut with Goya-style Lego pieces, hated a guinea pig in one of his more emblematic series: “Thank you to all those who have been to three metros about the sky “.

Nacido in A Coruña in 1986, Mario Casas is one of the most popular Spanish actors, with 25 series of five television series on his legs, between which the quote “3 meters above the sky”, “Palmeras en la nieve” , “Paco’s men”, “El barco” or “Instinto”.

Although his career is superior to the five years and his number is synonymous with success, it is the first time that Casas logra a Goya thanks to its content of the Dani in “No matarás”, a young man in the same way as a nightmare to Mila (Milena Smit), an extravagant and magnetic chic that arrastra ‘n on finale unpredictable.

Actor of masses, about all in his first films destined for a more adolescent audience, in the last ten years Houses had hilvanando dramatic plays such as “Contratiempo”, “Adiós” or “El fotógrafo de Matthausen”, y las ultimas “Hog “The Practitioner” and it was “No Mataras” that finally gave it to Goya.

Casas is also an idol in Latin America since his outburst like Hache in “3 Metros sobre el cielo” (2010), by María Valverde interpreted by Babi; rehearsed in “Tengo ganas de ti” (2012), both by Fernando González Molina, who also had an affair with him for “Palmeras en la nieve”, another excerpt from the story he had with Berta Vázquez.

Have a week, with a reason for his nomination, Cases confessed to Efe that from his first films -open a nino- he experimented with a “vital and acting” crime, he “hecho mayor” and now he is preparing for “them more matic characters “.

Do not miss any of his more funny comedic characters, such as Adane de “Mi gran noche”, or Antonio, in “Las brujas de Zugarramurdi”, both with Álex de la Iglesia, a director he allowed “to fly and create characters that nada tienen que ver “con él.

Although he confessed his desire to follow a comedy, his close work would be a drama, “The Innocent”, by Oriol Paulo, with the work in “Contratiempo”, which shares cartel with Jose Coronado.

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