The hope is over. The first two chapters of the biographical series of Luis Miguel and the sequels to the melodrama that is ostensibly based on the life of the Mexican singer, at the end of which he concludes his hope of three years, to know what new “revelations” (by decirlo) about the private life of the idol, as a record of its excitements and fractions.
Each week, in this space, there will be a personal markup comparing it presented to the series with what is known in reality, and what is more speculation, as well as the dramatic development of each chapter of this series which is looking to generate interest in the public, but at the expense of the world.
What happened to Marcela Basteri?
How to record, in the last episode of the first season, transmitted July 15, 2018, Luisito Rey (Oscar Jaenada) agonized in a Barcelona hospital in December 1992, intercalating with scenes staged in 1986, in the near future of the disappearance of Marcela Basteri (Anna Favella), who has traveled from Carrara, Italy, with his minor son, Sergio, to Madrid, while finding his toddler married, just ahead of the fact that she does not want to know anything about her ni se le volviera a ver con vida.
In the climatic scenes of this development — and there are feelings that, if they are readable, they are because they will integrate the first time, or well, they will be less than what is presented in them at least, we will give the summary of 3 minutes before chapter 1 to drop the current, because it’s not what they call “spoilers” -, Luis Miguel (Diego Boneta) konfrontasie met su padre y este, con su ultimient aliento le dice “Tú sabes dónde está”, al respecto del paradero de su madre, dando a entender que él es elespond directo de su disapparición (y posible muerte), something that was presumably investigated by Mossad agents (so that, by all accounts, there is no evidence at all).
Rey —which in this imaginary interpretation is high by Jaenada step of being a mediocre musician, an ambitious promoter and an explorer, to be the most addicted person of the world of Hispanic language, protagonist of countless Internet memes and converting to actor (which for obvious reasons does not appear this time) in a celebrity — no hizo, by supuesto, no confession to Luis Miguel al morir; de hecho, estaba en coma antes de morir y no habló ni con su hijo ni con nadie, but the guionistas, as it seems to be also in this time, if there is a dramatic license excess to count the tram, even in times, the promise is short, and three years is much time …
The second opening in Cádiz, just before the funeral of Luis Rey. This is real and effective, Luis Miguel, his son Alejandro (which is represented, because there is no interpretation, by YouTuber Juanpa Zurita, who obviously no es actor) y su hermano menor, Sergio, estuvieron presentes, así como Erika [hoy Issabela] Camil (Camila Sodi). However, even if it succeeds in the ambient part in 1992, there will only be an extension of the speculations on the plant during the past period; bus extension for 33 minutes the man asks who is watching the spectators for three years: “What happened to Marcela?”.
The malicious remedy of fiction
Medium banal dialogues, a maneuver voetganger in amateur of suspension and an excess of fiction (to appear in the column Aracely Arámbula and Stephanie Salas the only ones that rehusaron the use of his image or his number in this time), the guionists abuse speculation and coincidence in order to treat the spectator’s attention.
It is not necessary to be bad, but as soon as the first time a lot of real people are willing to perform their number / image they will have a lot of money for them, now the second time will be superior in the aspect of having exceptions, all the characters that is introduced in this chapter, as the apparent antagonist of this time, the make-up artist and promoter Patricio Robles (Pablo Cruz Guerrero, the only one really good at these episodes) his “composites” of real characters that he did not appear to appear in the series or are completely inventive, lo har har that the value added to treat to reconstruct characters (as in the past tense) and the morbo that is generated between the spectators is pierda.
For the time being, the theme that Luis Miguel, abreast of in his personal life is being left behind by bad employees, bad companies, bad decisions, bad things, there is nothing new. This is in Chapter 2, when a presentation in Lima in 2005, suffers a surge that provokes tinnitus.
This is real, and is documented, but not suedi as it presents the series; Luis Miguel suffers an accident during a presentation, pero ocurrió af 2014 in Argentina durante un gira en la que tocó por varia ciudades comu Buenos Aires, Córdoba, Rosario y Mendoza.
YouTube Common Videos Like Luis Miguel while singing a medley some of his excitements like “Sol, arena y mar” and “Suave”.
At the moment of the chorus of dicha song, if the channel audio is selected, then Luis Miguel salted and turned the console with the audio engineer. In the first two seconds the song will be played on the audiophone, so it will not work well. The engineers will lower the audio, they will move and lastimaron el oido del cantante (which in the series tinnitus can be taken as an affirmation on the part of the singer, which is also the producer of the series, from which there is an auditory auditory, as it is rumored by entones).
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It is to be expected that the formality and veracity of the series is Iranian defending the length of the chapters – for example, what we see as the first activity ente él y su hija Michelle, spelled out by “Sofi” (the character who ostensibly is based on Stephanie Salas, because he has his consent and therefore does not live his number), no fue así.
Hecho is completely fiction, it’s like Stephanie related to ¡Hola !, Luis Miguel conoccupied with his wife when he was born, and he’s distant from her when he was ten years old, so the scene is, apparently – even if Sergio’s “sequel” to live with his Germans in Mexico, which Luis Miguel presented at the Hebrew study and alterado intended to dig up on the album from Navidad – a fantasy in which the world is diluted to benefit from liking the dominoes of the night, the streaming platform and comment on social media.
In respect of Marcela’s theme, as we have already seen a flurry of conjunctures, it appears that officially the amount of which he allegedly had authorized the libraries of the second chapter, in which it is said that Marcela was killed (and it is possible to enter the garden of the house that is located in an urbanization of the city of Madrid), and the directing officer, who was involved in the accident, is Luis Rey.
También, as Luis Miguel, as I am, is not the only one who accepts this mode, presented in a telenovela of light, in order not to bring about a real Greek tragedy.
Will the final point be clarified or more? To be able to see more chapters of the series, he always sees himself as his main problem, but for weeks, to avoid a minefield of demands, it is easier to use the ambition to maintain a mysterious mystery. Solo queda ver si el nivel mejora o si le gana más la fantasía, because of reality, we see that this arrangement is very good.