The humorist Alexis Valdés reacted to the attacks by official media and vocers of the Cuban regime against the interpreters of the theme “Patria and Vida”, especially the classification used against the rapper Yotuel Romero, which he classified as “jinetero”, debated in his relationship with the Spanish artist Beatriz Luengo.
In a series of comments on his Instagram profile, Valdés makes sure that he knows well the phenomenon “because he works in the cabaret of La Habana in the 80s when he comensaba. The jineteras no eran more than chicas with flavors to entertain and have access to nice things that do not tenían. (…) Cosas a las que solo te podía ‘invitar’ un extranjero ‘.
“Is it a crime? Is it indignant? For supuesto que no. Eran chicas that tenanan ganas to enjoy his youth. Venía a senor de otro pais que podía is in the hotel where she has no podium, que podia comer in the restaurant that she has the podium, that podium and the discos that she has on the podium, and by supuesto, for her the senor era Superman “.
“And Sabina dedicates the verses, Willy Chirino also. And at one point, the Governor who at one initiated the persecution, the day followed in a state of fairness, because he saw that there was a great attraction for tourists. ¿A qué iban si no tantos hombres solteros a Kuba? ¿A la playa? Por favor. ¿Saben cuántas playas hermosas hay por todo el mundo? “, subrayó.
The humorist recorded that the identification of the foreign tourist was closely related to the Cuban citizens being taken by the official politicians and by the precaution of the daily life in the Isla.
“In Spain, it has become fashionable that the most famous artists train a Cuban and that the attraction of the crown prince takes over. (…) The most common phrase was ‘Do you think a Cuban is a train?’ And the ones we live with as artists, as you and the same Yotuel, we have to admit that in all cases the interviewers ask us about it. (…) One day a taxi driver told me ‘¿Qué es lo que tenéis ala abajo que las tenéis locas? Y yo le dije: ‘pardon, señor, yo no tengo nada que ver con eso’, y me respondió: ‘vamos, vamos, cubanito, que todos sois iguales’. Y esa era la imagen que tenía el pueblo español of the Cubans “.
Valdés recorded that in the same cabaret where he and his people also topped with “many representatives of the Gobierno (…) bebiendo and commencing and having fun with those foreign workers who come to negotiate in Cuba”.
“What do you want to say to this? Only a peddler of a large green. All smoke alarms. We all have an extraneous friend that we buy something. Including high in Cuba mucha, muchísima gente, to sobrevivir receive dinos cosas y ayuda de gente que vive en el extranjero. Y si nee, pues no viven. Is it indignant? Is all the indignant people? ‘, investigated.
“Entones accuses Yotuel Romero of any genius is an idiot. Because a dog gives birth to a udder is a common form of gaining weight, it can not be used for breast augmentation. (…) Our country is fully fledged due to the need for materials and the lack of sueños. It’s the big deal that’s going straight to the Television Notice “.
“As well as Serrat’s ‘… more careful donde tocan’. A little respect for the victim and the pain of his own property. Vergüenza debería dar hablar así de nuestra propia gente “, culminated in his comment.
The song “Patria y Vida”, which united the artists Yotuel Romero, Gente de Zona, Decemer Bueno, Maykel Osorbo and El Funky, provoked an onslaught of attacks, attacks and defamations by the Cuban regime both against their interpretations as against the Cubans which he used as a hymn.
Only Monday, the livelihood of activist Anyell Valdés, where he lives with various children and his mother, was attacked by a turbo organized by the State Security, who among other acts of cyberbullying violently paint the phrase, which the residents in the house has been painted in its façade.
The bad taste of the Cuban regime, mixed with its homophobia and audio messages, appears to be the only answer to the one who had any civic initiative or art that the question.