Photo: Instituto Cubano de la Música.
The Cuban singer Fara García Callava, who is like the artistic name Farah María, failed this Wednesday, según confirmed a note in the social speeches of the Cubano Institute of Music.
The institution lamented the failure of the song known as “La Gacela de Cuba”.
“Farah comenzó muy temprano su carrera y fue símbolo de la gracia, la sensualidad y la belleza mestiza cubana. Fue una cantante opmerklik que supo elegir su repertorio y demostro su indesputible elegance y dominio en el scenario. Llegue a sus familes y amigos nu sentis condolences “, declared the publication.
Following the publication of the periodical Tribune de La Habana, Farah could accompany any orchestra and that timber incomprehensible to us in the image of the Cuban woman who drew with her talent in the afamado quarter Los Meme, by Meme Solis, and together with Héctor Miguel Ángel Piña, after having been substituted for the Moraima Secada sentimental song (bolero).
It’s destructive to catch the attention of fanatical miles in every move on stage our two picaresque themes like El tiburón (Do not bathe in malecón …), or his incursion in the Tango with the anthology “Adiós muchachos”, or a good Son like “La negra Tomasa”, in his very personal versions of “La flor de la cinnamon”, only preceded by the impressive Ignacio Villa (Bola de Nieve).
Without embarrassment, the recordings in this song, “El pajaro Chogui”, “Un cuento”, with the first prize internationally, or his sabrosura bajo the skin of the engineer, with the Cha Cha Chá, by the master Enrique Jorrín, in the “Alardoso”, or in his popular “Tiburón”, has the most insurgency in the work of Silvio Rodríguez with his excellent versions of “El burgemeester” in “El día feliz que estleg”.
To compose master songs like Adolfo Guzmán, Juan Almeida Bosque, Meme Solís, Silvio Rodríguez, Mario Aguirre, Juan Pablo Torres, Eddy Gaytán, Barrerita. Scenario section at the Grand Theater of La Habana “García Lorca”, with Josephine Baker and Bola de Nieve.