| 15/01/2021 – 07:34 (GMT-4)
Families and friends despidieron in intimate ceremony celebrates these Jews in La Habana the dead remains of the singer Farah María, passed away on December 30th a los 76 years.
“Wherever you are, mother, you are the one who is the organist of all the people you want and all the people who are here with us”, dijo visibly moved the life of the failed artist, in declarations to the Cubana Television.
Artists and directors of spectacular shows coincide with the distance of the allegory and professionalism of Farah María, which for decades has been greatly appreciated not only by the general public, but also by its work partners.
‘Particularly hy perdido a una hermana. We are very much looking forward to exchanging ideas, including not only about art, but also about personal questions ”, declared the Cuban singer and composer Héctor Téllez.
“Cuba is dedicated to a great artist, a artist of the people, a very punctual and very professional artist”, indicated the artistic director Raúl De la Rosa, who emphasizes that he works in many provinces of the country and in all parts Farah always attracts many to his public, that supo respond with affection to such dedication. “Always liked a lot, always wanted very much”, he concluded.
“The people of Cuba will be in debt with Farah María forever”, said Hugo Oslé, director of the Academy of Canto “Mariana de Gonich”; mientras que Lázaro Castellanos, director of Radio Taíno, the description as “good companion and read in the stage”.
“I think those who think they have figures because they are attracted to irreplaceable figures, and Farah is one of those figures,” said Jorge Alfaro, director of the American Theater.
The popular song Farah María García, also known as “La Gacela de Cuba”, failure marks a tenth anniversary of the 2020 as a consequence of Alzheimer’s disease.
The Ministry of Culture of Cuba published a note lamenting the death of Farah María and saying that “it symbolizes grace, sensuality and the beautiful Cuban beauty”, that “so choose its repertoire and demonstrate its indisputable elegance and dominion” in the scenario ”.
One of his triumphs took place at the Yamaha festival in Japan in 1974, with the song “El recuerdo de watel largo travel”, which marks one of the major mayors in his artistic directory and is gaining popularity in Iceland. . The theme not only is it converted into a hymn in Cuba, but it is also the title of the artist’s first album.
Re 2003 edited in the series Las Voces del Siglo, and appeared to appear in 2009 on the CD that the EGREM edited as a collection along with the grabs of the Los Meme quarter, directed by Meme Solís and integrated in addition by Héctor Téllez and Miguel Ángel Piña.
Topics suyos como Tiburón, known popularly as No te bañes en el Malecón, constituent important part of the affective and musical memory of the Cubans.