When Netflix trained Bridgerton to fines in 2020, the outcome was predictable. Created by the producer of the same Grey’sAnatomy, How to get away with murder and otros tref televisivos, the series supo entender with calculated precision the tastes of its audience. Exuberant vestibules, an irresistibly attractive attraction and generous romances –Prohibidos, amorosos, pasionales y de quuanto tipo haya– dan vida a fictional era that catches as much as Jane Austen’s fanatics like those who never listen to her. Yes, the success was inevitable. But what I hope is included Julia Quinn, the writer who created history– was the scale of this triumph.
Convert to the months of the train in the series’ most vista of the platform, the adventures of the Bridgerton have now become a record and cultural phenomenon. The fanatics of Daphne and Simon discover that beyond the boom there is a literary saga that they hope for. There are new books that Julia Quinn (graduate in History of Art) has been publishing since 2000, exploring the world the amorous adventures of ocho hermanos of the noble English principles of sail XIX.
Al hablar, Quinn (51 years estadounidense) lo hace con una kaleid más propie de una amiga obsessada por la lectur que un una schritora de bestsellers. Seen with solstice, apologized to the sorority for taking coffee and exhibiting without a soberbie app a encyclopedic knowledge of the genre of the romantic novel.
Julia Quinn in the Bridgerton set: here with Simon, the Duke of Hastings (British actor Regé-Jean Page).
In social media, his photos together with the demonstration production that he one more fanatic, his eyes are marvelous like those of his followers. His sencilla presence in the delta, but in the existing planes and ideas that only valen millions: then new life has a genius that is loaded with machetes and literary stigmas.
One more credit received and avoided the final congratulations: we realize that tragedy is most important. What about the movies that make their comedy awards?
Julia Quinn, writer
-How to start your relationship with literature?
-Desde que era pequeña fui una gran lectora: era la niña que se quedaba despierta un una linterna bajo las sábanas por la noche junto a un libro. And when he came running from school, he always went to the library. I want to write because I love learning: as simple as that. Not all great readers are invited to write, but each writer is a great reader.
-At what point did you discover that would seriously write your vocation?
-Send my first books to an editorial the same month that was accepted in the Medicine career. Fue algo muy loco. Finally, gave the university why I was so enthusiastic about writing that I had followed up with my studies so I did not know the time. First of all, I’ve been here for a year, where I’m going to fight … Entry into panic and the crisis of the two: my friends are graduating and I’m feeling for the derivative, because it’s a curious establishment that my books are published. Finally, I agree that the best series will be written in full time, and it’s what I’m doing from now on.
-What at the moment is the idea of the Bridgerton saga known?
-El primer libro, El duque y yo, was published in 2000. The idea was not surmounted, but the character of Lady Whistledown was mentioned earlier. When writing a book, you have ten contextual dates that are necessary in the history of the result and results of golf goals. Entonces se me ocurrió inventar un persona: una columnista de chismes cuyo rol era dar informatio paro yo no tuviera que hacerlo. I have a lot of fun writing down my passages, although there are three challenges: follow a calendar from 1813 with the merry, merciful and fiery verdicts in which saldria the chismes and calculas that each event in the books coincides with the opinion columns. But the idea of playing the mystery surpasses the other and the other characters are not superior to the writer, which is one of the most popular aspects of the story. It was a very happy accident.
Bridgerton: Sex scenes between Daphne and Simón generate controversy.
-In the book, all the scenes staged turn to the protagonists, Simon and Daphne, while the show includes new characters and subtitles. How did you change this cambio?
-Fue a brilliant idea because there are many things that work well in books but not on television, and vice versa. In my short stories there are secondary characters to which the two have their own, but there are never any entrances in their cabins or scenes on the margins of the protagonists. Pero on television requires a mayor abanico of stories. What the hiccupers would do was to take on characters that were more important than the story and the stories of the principle, planting seeds for posterior conflicts. Leyeron all the books and so allow them to think with perspective. A word-for-word adaptation of the well-functioning hubil works well.
First book of the Bridgerton saga (Editorial Urano), now reissued with the characters of the series in the portal.
-Although it is detached from its works that it plays with the elements of the epoch novels, like the role of the woman. Do you feel that some of the common denominators are “updated”?
-It has always been evolving. When I remark that my heroines are feminists, my answer is that if we read other books of the genre we will find many other characters who are also his, including if his word does not exist in those words. What you want to do is historically realistic: my feminist son characters in terms of what society admits and his experience of life allows them to imagine. His revolutionaries because he began to ask questions.
-How does it work?
-In the Netflix series, Eloise will be appearing as a series on the university. Geen creo que el el se le ocurriría marcha hacia Oxford y demandar ser admitida; es algo muy lejano a su contexto. Pero the hecho of that question in reality is a comenzo: reconstruct when algo no es justo is revolutionary. To the characters these feminist sensibilities are historically correct. When we come back, there are women who are qualified as pioneers. But we must also celebrate those who allow this empowerment: while these extraordinary feminists are destroying the walls, I would like to say that the ladles would be removed in order to make it easier to shoot. This is how I think about women.
-The roman romances of the Paris era generate a very special attraction in full sail XXI. What?
-The historical time that elijo for my short stories, based on the principles of sail XIX, is one of the most popular for the romantic novel. In part because of criminals lending to Jane Austen, or adapting his works. However, it is ubiquitous in the sense that it is simply a lie to feel inside a cue, while it is also tampered with because the actions of the characters make us incomprehensible or difficult to empathize with them.
If alguien-dobbeltsteen: “I do not wear ducks with the color of Simon’s skin”, I answer that I probably do not wear so many attractive and unobtrusive men.
Julia Quinn, writer
-These novels many times resell with a “congratulations forever” hace sean blank of critics. How did you go about it?
-The final happy is the definition of a romance novel. Si no lo tiene, no lo es. You can fall in love, have the romantic elements of romance, but it is something distinct. What happens is that one receives the most credit and avoids the final congratulations: we realize that the tragedy is the most important. What about the movies that make their comedy awards? It’s a pen: it’s awesome, but it’s not unique. Entonces hay would like to say goodbye to the final congratulations, but with the romance deepening.
-For what?
-Because it is mainly written and led by women. It’s something we like society: we remember the things we consider “females”. And if you think so, many people read these books and are financially very profitable. The sale of these novels allows the editorial staff to publish poetry: the subsidiary with romance. I hope that Bridgerton’s success as a series helps to understand these preconceptions. Mucha gente vio el show sin saber que verían una novel de romance y quizás ahora busquen algo más así.
-The series has changed the characteristics of some characters with the end of being more inclusive. For example, black pile nobles in the British aristocracy of sail XIX. How did you find it?
-Creo que es genial y I am happy to be happy. The creative team of the show extended my world in a way that I could not handle. I’m just a person and my diversity is limited to me, while the writers of the series form a diverse group in gender, sexual orientation, race and religion. Each one can leave its own imagination in the narrative universe and appreciate what it does.
Julia Quinn, happy in the Bridgerton set.
-Are you concerned that it is historically incorrect?
-When dating romance, the only one who imports his sentiments. The show features an ingenious work translating it into the shape of a form in which more people can identify as part of its experience. If alguien-dobbeltsteen: “I do not wear ducks with the color of Simon’s skin”, I answer that I probably do not wear so many attractive and unobtrusive men. If you are in the fantasy world, why not say that most people are happy with their final happiness? My preoccupation with writing is the sentiment and secondly, the third lie, is historically correct.
-Have a scene that caused revelation, in which Daphne went to the duke to have sexual relations. Do you hope that the show’s success will lead to a discussion about consent?
-No is a simple scene. Some would suggest that debauchery succeeds, but these characters are not perfect and creepy as they are important to history. It is fascinating to analyze the reaction that the scene has had during that time; is a wait for the evolution of our society. But the important thing is to leave it in the context in which the characters live because they are powerful and how it is distributed. In Daphne’s society teaches that her job is to take care of her and have babies, and on her part she is black, so she has a total dominion and she can do what she wants with her. Many are terrified of planting what they are and change their genes, but it is not as simple as one of them has all the power.
