3 | 22/02/2021 – 07:45 (GMT-4)
A group of Cubans reacted with indignation to El Tarzán de las colas, musical theme against the colors of Virulo y Kelvis Ochoa, considering that the necessities of the Cubans and the banality of the theme of the escasez en la isla.
Although it was released in November 2020 -moment since then it has not been released yet for the 3 mile views on YouTube- the song has been released to date to exemplify the disposition of Ministry of Culture y de la Egrem to fund a video that privileges the point of view of Gobierno about the readers; very different posture of the virulence with which the regimen reacted al estreno de Patria y Vida, which is in the emergency of a democratic exchange in Cuba.
“When Vayan called ‘pagados’ women who did their job or to criticize him for being bad in Cuba, he recalled that this ‘anthem against the blacks’ and other themes similar to the patronage (paga) of the Ministry of Culture, the Institut de la Música y la EGREM (public money of all ours) ”, wrote on Facebook José Raúl Gallego, who felt that the view of the result and the alcance, was treated as“ dinero mal gastado ”.
“Creative anemia, indolent hypocrisy and the allegorical force that emanate in the letters of this song and video, the result between comics and pathetic”, written by the artist Julio Llópiz Casal, who added that it was a product that increased “the list of bodrios with which the power in Cuba distracts the attention of the problems that it has, has been created and is not necessary to resolve” .
I had a song that I did not like. Virulo y Kelvis Ochoa, creo que en efecto, las colas no son un mystery para Scotland Yard. It is the responsibility of the maladministration and the precaution to be taken by the Cuban governing body “, written by activist Camila Lobón, who supported the song of” caricaturing that helps our idiosyncratic economic misery and politics “.
“It is terrible to banish the tragedy in the service of the power that causes it to the height of its eddies, not to allow perpetrators of torpedoes, when no hypocrisy. Because you know that these music are great. “I mean, I’ve been enlightened about being a masochist, I think we’ll have some comedy in hours, days, months, years, life and malicious work in malcomer and malvivir”, added Lobón.
“This theme is a good example of a well-executed musical work that at the same time socializes a message that is interpreted as reactionary, with games, devotees and burlaci haci the circumcisers and queens the sufren (colas, colouros and ciudadanos that no the inventoron) and ignore and complain about the causes and the responsible (political and economic system) ”, written by his part Enrique Guzmán Karell.
“Virulo y Kelvis no son novatos ni ingenuos. As artists and public figures deben saber that not everything is done with chests and burles and that now it is a theme of almsgiving molestation and popular impact, and that the Mayor of the people know or suspect why they are obliged to make colas ”, añadió.
Guzmán Karell recuerda que “These are the sensibilities that are most important to political positions and their simple empathy, respect and common sense.”
“What grace would be obligatory to make colas in the madrugada?”, Ask, and state that “art has been executed for socially irresponsible people”, which invites guests to question if it is art “conservative, reactionary, complainer with the power, opportunist, art or cobarde interpretation ”.
The song also garnered reactions on Twitter, giving a user the rating of “denigrant”, “a burla al pueblo”, and sent to the songs that “se bajen de la mata de la deshonestidad”.
Another opinion that Virulo firmly “the mice are the holiday vehicle”. Do you have an account Virulo fue el author With Cuba no te metas, theme funded by the Ministry of Culture and trained shortly after the release of the San Isidro cave guide.
From songs, periodicals, artists and Cubans in general lamentation and rebuke in social speeches that a talented artist like Virulo is arrogant in his blatant form, from the point of view of creative life, the Cuban Government.
For the sake of it, El Tarzán de los colas -directed by Mildrey Ruiz and in which the humorist Telo González intervenes- refers to a reality that makes it easier for the Cubans to live.
In the months in which the vigor prevailed in La Habana by the coronavirus, the impossibility of making cola from madruga due to the prohibition of circular in the time from 7 at night to 5 from madrugada, hubo reports of people having coca caramas encased in the labyrinths to burn vigilance and be the first to mark in the colas larvae to buy foods.
También se dio el caso de algunos que optaban por sleep on the middle ground editions of MLC, y procurar así ser los primeros en llegar.