| 02/01/2021 – 05:20 (GMT-4)
El reconocido cantautor cubano, Carlos Varela, celebrated the start of 2021 with a significant fragment of its song “The Nine, the Sons and the Relationships of the Arena”, which immediately referred to the need for a change, as long as it followed a happy new year and conditions.
“Even if I have no illusions / something I tend to change / even if I have songs and other prefers call”, wrote Varela on his Facebook profile. Although Varela did not give direct form to the situation in Cuba, he interpreted dozens of people in the comments to his publication.
The excerpt from Varela to celebrate the new year in Cuba belongs to its 1995 disco, Like the fish, considered one of the most important discographic careers of Cuban music.
“This is the story of a child who was detained to heal / to have sex with someone who has not been able to read / to know that he or she has had sex before / because he or she has had his or her illness so that he / she can become real”, double stone also the text as it removes the fragment.
Starting December, Carlos Varela defends the salaries of the artists who support an increase in political liberties, creatives and expression in Cuba. “There are actors, musicians, playwrights, writers, who can only be trusted and respected for their ideas and for the need for dialogue”, Varela explains in an interview with CNN.
The important Cuban refugee traitor who lives in Cuba is not trapped in an information bureau that reads only one part, and precisely that, thanks to the social speeches, the people living in the island are more than right to express themselves criterion.
Preferably, the Cuban singer is safe in defense of the huelguistas de San Isidro in a contundente texto que lanzó interrogators, reflections and conclusions of strong implication in the latest news in Iceland.
“When will Guillermo Vertel listen to the details of Guillermo?”, Carlos Varela asked in a written statement giving the voice in favor of art, the right to dissent and the freedom of expression.
The music dijo does not personally know any of the huelguistas, pero part of admitting that any person who is willing to die for a cause merece will be listened to with respect. For this reason, negóndose a ser “complice del silencio del coro”, se preguntaba: “¿Con qué derecho alguien puede decidir who is an artist and who is no? ¿Who is Cuban and who is not?”; “Will we tend to miss a word of the Cubanism dictionary DIALOGUE?”.
Three other similar examples and a revision with critical light on the males he characterized in the Cuban society of the last decades, one of his conclusions were that do not live in Cuba as a son.
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