One of the last Sandro Botticelli portraits left in private hands was sold at auction for more than $ 92 million (after fees) Thursday morning in Sotheby’s New York.
The 15th-century painting “Young Man Holding a Roundel” is the auction house featured the most expensive work of the Renaissance artist ever at auction, and the most valuable Old Masters work ever sold at a Sotheby’s.
The portrait was probably made in the late 1470s or early 1480s. The portrait was bought by its previous owner in 1982 for only £ 810,000 (a little over $ 1 million in today’s money). It depicts an unidentified young man holding a small circular painting called a roundel.
The roundel itself contains a miniature religious portrait of the 14th-century Sienese painter, Bartolomeo Bulgarini, which Botticelli incorporated into the work.

Botticelli recorded the work of a former artist in the round held by his unknown subject. Credit: Sotheby’s
Although not as well known as Botticelli masterpieces such as’ The Birth of Venus’ and ‘Primavera’, the portrait sold on Thursday depicts a depiction of the core of Renaissance man, ‘Apostel said. “It has a very modern feel, mainly due to the amazing condition and environment,” he said.
How do art auctions really work?
Market rarity
Although celebrated during his lifetime, Botticelli’s legacy faded after his death in 1510. It was not until the late 19th century that interest in his oeuvre was rekindled.
Botticelli rarely made portraits and spent most of his career focusing on religious scenes and paintings from classical mythology. It is known that only a dozen or so have survived, almost all of which now appear in museum collections.

‘The Birth of Venus’ is shown in the 2016 photo at the Uffizi Gallery in Florence. Credit: Alberto Pizzoli / AFP / Getty Images
“Young Man Holding a Roundel” was the star of Sotheby’s “Master Paintings and Sculpture” sale, which brought together still life paintings and portraits by celebrated European artists. The other striking fate, a rare biblical scene by Rembrandt entitled ‘Abraham and the Angels’, which had not appeared at auction since the 1840s, was one of four works that were pulled in just before the start of the sale.