Between the superstition and the lights: come live Maria Félix at her residence in Poland

Designed by designer, books, joys, records and pieces, large spaces, furniture Meissen, valencian necklaces, artwork and some other king of his admirers, María Félix habló -like few weeks- of his infancy, his ascension to fame and inclusion is shown as a superstitious woman.

The periodical Vicente Leñero could only be used with “La Doña”, he entered the house of the star of the Epoch of Gold in 1966.

“Frenos in the teeth of nines and tablets in the cleft palate for cameramans derechitas: ‘cambréate, niña, cambréate’, I say my mother who taught me to breathe always erguida and with grace. The pediae to the monks of the school that our vigilantes have left us or not with the famous tyrants on the cleft. Yo le debo tanto!”, Rekordó María Félix en la charla que fue recopilada en el volumen 100 interviews, 100 characters.

María de los Ángeles Félix Güereña born in Sonora on April 8, 1914 within a family with sufficiency recourse to create 11 houses. “La Doña” is always happy with his mother, with which vivió has the last of its days, but also the culprit of haberse formed as a female “difficult”. To its demand, egolatria and education aggravate position as the woman who represents the Mexicans in the world.

Este jueves se celebran los 114 years of the birth of María Félix, also known as “La Doña”, same day on which 19 years of his death will be completed, is the owner of this site being one of the icons of the Mexican Cinema Gold Era for its beauty and strong personality.

Divorced and with his hat repaired, he moved to the City of Mexico and worked – for a very short time – as a receptionist of a plastic surgeon, until debut in the big pants with El Peñón de las Animas (1943), a film about the death of the “La Doña” motto and the launch of the fama.

María Félix lived her best time in one house in Poland, the one shared with his wife and mother. Vicente Leñero describes the residence of Félix as a hogar lleno de lujos, in each plot the reflections that accumulate thanks to the film are reflected.

Description in his publication of the dwellings that Felix allows: “The celebrity album from Diego Rivera’s record label, with the exquisites and inconveniences made by valencianes made in mano […] on the black marble floor. The boudoir: new repeats, new stanzas henchidos con porcelain from the first world porcelain company: Jacob Petit, the famous artist of the principles of sail XIX ”.

Felix decides that the art was his vision, the reason for the cual no podium aburrirse, in addition to its diary plates, consume it for reflection.

“When I was born, I agree, I have one of the posts of Capilla Sixtina: my fascinaban the walls of Miguel Ángel. Y the first time I went to Rome to admire the marvels. No pude decir nada. Me quedé así, sin moverme, y pronto empecé a sentir me me estaban escurriendo las lágrimas … tamaños lagrimones y yo sin poder decir nada”.

María Félix reads the title to his interview “Why did Mary Felix not burn?”, because the stage passes hours admiring every detail of its house, love this house as much as “Mary”, there is another person with the one who shares his body.

Learn the descriptive como gracefully “superstitious”, pues no solo había appendido a schucharse a sí misma, a la otra María, gracias a un amigo hindu, sino que también create the magic and lead the publication Planet, a French magazine that has brewery, religion, astros, fantasy and science fiction.

“La Doña” is inspiring to artists, singers, writers like Octavio Paz. The enchantment will be called on the other side of the world in order to be seen by French and Italian designers. Includes the nominee as one of the world’s best dresses of the world. “I went to Paris and I met Marc Bohan, El Dior, waiting to see if I had anything special for me, that I would like”, recordaba.

April 8, 2002, desde temprano reclíó llamadas de aquellas celebridades, que también eran sus admiradores, querían regalarle por su cumpleaños 88 algún nuue mueble lujoso, dedicarle una nuve canción, una pintura. His domestic assistants – the collaborators, like the llamaba- do not communicate with anyone. “Sigue dormida”.

Era extraño. “La Doña” was performed by me very late at 8 AM. In reality, María Félix failed at 1 AM due to cardiac insufficiency, but her collaborators have the notary up to 10, when the decision is made to revise what has been sued.

María Félix heredo his goodies to his assistant Luis Martínez de Anda. It affirms that it is universal heredity, for the Paris box office and its collection of joys, it sells wide, she has to lie down when she goes bankrupt. The house in which the wall, the Polanco, is converted into departments and the Cuernavaca, is sold. All furniture, paintings, collections and changing rooms are suburban.

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