The mayor shared the notes that accompanied the recent death of Isela Vega (Hermosillo, Sonora, 1939) have hincapié on two themes: su vida amorosa -que en realadad tampoco fue tan turbulenta como muchos creerían – o el scandalo que causó en los 70 al ser protagonista de cintas de fuerte contenido seksueel en volddadig. Both aspects are familiar and familiar, but in Isela Vega there is much more to it than just having a tray directory that amplifies and recognizes and testifies to a woman mighty who was able to reinvent the times that were necessary.
Jovial, franca, lo mismo glamorosa que sencilla, Isela no escondía nada. Ni su edad, ni su origen, ni sus amores. It has no secret to the world, because it automatically decides to do kwesbaar. Cambio, if there are no tenacies that are occult, the world knows who you are and what the tiraba contigo. This philosophy is one of the factors that the liver has to go through all the stages of an actress ‘career in Mexico, mantiéndose active until the last year, when he appeared in’La Casa de las Flores‘y la taquillera película’Cindy la regia‘.
“If I’m hovering or I’m hovering in Hollywood”, dijo a raiz de obtener el Ariel de Oro a su trayectoria por parte de la Academia Mexicana de las Artes y Ciencias Cinematográficas (AMACC) af 2017, “seguramente no hubiera durado tanto mi carrera. Me habrían dejado de ofrecer papeles a los 40 y me habría dado mucha frustration, pero no me conformé nunca. Cuando ya no fui joven, me dije, ‘la cara no me la toco ‘, porque seguro va a haber papeles para mujeres de mi edad, abuelitas o madres, o lo que sea. Y va a hacer falta que haya actrices que representen esa edad. No iba a detener la gravedad, se me iban a colgar las chichis (senos) y los pellejos, pero alguien iba a tener hacer los papeles de vieja. Y dije, yo quiero ser esa vieja. “
This is not the only decision that Toma Vega made. Hecho, the first to fly in 25 years, when embarrassed by Alberto Vázquez, entonces de 24, que era cantante de rock, mientras que elella era model y apenas habia hecho un par de peliculas. The couple did not stay in town when their son died, Arturo, and he who cares about the creation and education of him, that his relationship ends soon and Vázquez always has an irregular relationship with his wife, even the reconciliation. More stable was his relationship with the actor Jorge Luke, which started in 1971 and ended five hundred years ago (although fueron amigos muy cercanos ista la muerte de él), naciendo de ella su hija Shaula Obscura (it was Luke’s mistress’) who was also an actress.
De hecho, su amor por Luke surge de otra decisión polemiska: actuar en la obra de teatro ‘Zaratustra‘, de Alejandro Jodorowski, which could be concocted, and in which compartment cartel with Héctor Bonilla y Susana Kamini. The work was a great success in its era, although very controversial, and the actors appear completely desnudos and escenificaban sexual encounters simulated, the first time you saw this in Mexican scenes; censorship and censorship of a long time, per no series the one time that Isela defies the censorship.
In 1970, the era of a topical composition by su sensualidad y charisma en pantalla, de la mano del director Francisco del Villar -who has been working in ‘Las pirañas aman en cuaresma’, al lado de Ofelia Medina – filmed in scenes of Valle de Bravo la cinta ‘The first of the scorpions’, written by the acclaimed playwright Hugo Argüelles. In the tram, Vega is a sophisticated and modern fashion photographer and mother-in-law of a very tall man (retreat very much from his reality at the moment), who knows a couple of homosexuals declared (Enrique Álvarez Félix and the Brazilian Milton Rodrigues), y hace amistad con ellos, without thinking that you are going to unleash a tragedy.
When it comes to training, until next year – Isela waits for full theatrical performance -, the League of Deficit Confidence in Mexican President Luis Echeverría Álvarez thats the ban; the actors and the director will respect the car and defend the movie (which was the first Mexican to openly discuss the theme of homosexuality without presenting characters with stereotypes, if well shown in a negative light, that is in this then the orientation was considered a mental illness). Prohibition of probes, after three weeks, the cartelera sali pelicula, has not been shown in the movies, and has not been broadcast on Mexican television and has never been commercialized in a domestic video format, which is a last resort, and has an interesting era and very infravalorada del cine mexicano.
In Hollywood hizo his debut with the celebrity Sam Peckinpah in the hyperviolent ‘Bring me the head of Alfredo García‘, a film that follows the cult of cult (and in which there is a song composed by the same); posteriorly participated in ‘El llanto de la tortuga‘- ultimately part of the trilogy of animals of Francisco del Villar- con Jorge Rivero y Hugo Stiglitz, a film that is a critical critique of the excesses of the privileged class.
También protagonizes a particularly interesting comment: ‘The English appearances‘, de Jaime Humberto Hermosillo (1978), a romantic comedy about the current affairs of Gonzalo Vega and performed by the first female trans in the history of Mexican cinema. This movie, together with ‘La viuda negra‘, de Arturo Ripstein (1977), by the obituary of his first prize Ariel, was censored by the sex of José López Portillo, and both movies have not been exhibited since 1983, and also brilliant at his audition in the domestic video catalogs, had to be both widely reconciled as hearing aids, intellectually challenging and entertaining.
In 1974, at the same time he rode in Los Angeles with Peckinpah, Isela fue the first female latin that appears in the pages of the famous magazine Play boy, al desnudo. It is provoked that the Mexican prince denostara like “Chichela Vega”, bajeza that never imports, and that always approves prevalent machismo in the industry to use it for its own benefit: of this mode, iba a donde otras actresses nunca se atrevieron – rompió toda class de stereotypes, como las las peliques antes mencionadas, que tocaban themes are now considered ‘taboo’ for the public of the era.
The career of Isela fue larga, thank you to your staff and hold the audition to represent various papers, including the guionista, producer and director – ‘The lovers of the lord of the night‘, de 1986- y el no conformarse, sino reinventarse; in recent years popular volvio in telenovelas y in cintas como ‘El Jeremiah‘(a tierna comedia familiar) o’The hours of contigo‘(by the fact that he obtains another Ariel), in that he finds a train that can be prepared, precisely, for the moment of his death, giving him a lesson in life and his failure (the explanation Cassandra Ciangherotti).
With his party, Isela Vega shares a very dog dog, demonstrating that he, in his generation, quizzes the most valued actress that never does anything matter to anyone.
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