The first woman to unite in the French Impressionist movement by the painter Berthe Morisot, (1841-1895). Gustave Geffroy’s critically acclaimed artist in his “History of Impressionism” showed his admiration for his work and the definition as one of “The Three Ladies of Impressionism”, together with Mary Cassatt and Marie Bracquemond.
Berthe Morisot, belonging to an old class family, could teach in the world of art that the permit should be known for only 20 years to Camille Corot, a great poet who teaches discipleship and introduces them to artistic circles.
Despue was a model and friend of Manet’s, in addition to his wife, dating her husband Eugène Manet. Tuvo a papel detached in the unfolding of impressionism and exhibition next to them.
In an era where women are dedicated to painting mainly in affectionate form, Morisot, there is the job of making a career as a painter and the consignee. Hecho exhibits together with Renoir, Monet, Degas, Pissarro or Sysley.
In its thematic abundance of familiar scenes, the majority of female characters in gardens, in interiors or contemporary scenes. There are many critics who consider “female painting”. Aún asi su trabajo presents a great audition, a very expressive and impactful brush.
“Detrás del desayuno”, consiguió batir los drecord de las londinense Christie’s pero, mientras colegas como Monet, Renoir, Degas, fueron considerados como los grandes impressionistas, Morisot se quedó fuera de la historia hasta narrada.
CAMILLE CLAUDEL, MUSA DE RODIN Y GRAN ESCULTORA
Although Camille Claudel (1864-1943), a lover of love and passion for culture, is the most famous musician and lover of the story of the great Auguste Rodin.
Camille Claudel was the husband of the poet Paul Claudel, and his decision to dedicate himself to culture, along with his years of freedom, the work of cabeza and his very conservative family. Camille entered the Academy headed by Alfred Boucher and, one year later, became Independent. In 1883, at the age of 19, he married Rodin, mayor of the city. Rodin was fascinated by his spectacular talent and his beauty. The toma as alumna, model, and pronto as amante.
From 1886 Rodin and Camille alquilan and shared a plate where he worked from time to time, but all Camille was the lover of the listener and, although the critics of his works were good, always exposing him to the “help” del maestro.
Works such as “Sakountala, Clotho”, allegory of the road and the death of “El Vals” (1895), where a pair of bailarines-lovers could cover life, justify his work to be reconciled.
Rodin’s genius is obscured, being humiliated; aumentan los celos amorosos (nunca va a dejar a su mujer) y artísticos y, en 1898, llega la ruptura definita. This year marks the sculptural group “La edad madura” in bronze, an extreme allegory formed by three figures. In 1905 he realized his last great sculpture “El Abandono”, presiding over his own life.
If she abandons, lives precariously and solely, apart from the paranoia, Rodin creates the robe of his ideas, which he plans. Toda su ira va dirigida hacia él y llega a destruir a martillazos muchas de sus obras.
In 1913 muere su padre, su protector, y ese mismo mes su madre la internen en un sanatorio. This year he passed away in a manicury, where he lived for the last 30 years of his life, totally free from his family, who only had the private to receive visits, so that no one listened to the doctors who advised him to kill her. .
“A penitentiary injustice” —description ella- that lasted until his death. According to his biographers, the visitation was saluted by her husband, on six occasions, and when he was mourned, he was killed, because he had to be put in a ditch common with other ‘olvidados’. His work is on display at the Rodin Museum in Paris.
POPOVA, GRANDE DEL CONSTRUCTIVISM RUSO
Associated with the revolutionary vanguardia and Soviet constructivism, Liubov Popova, (1889 – 1924) the “artist-constructor”, as the contemporary llamaban, was one of the principal defenders of abstract art in Russia and one of the most distressed figures vanguardias de principios del siglo XX.
During a trip to Italy, the movement of “Futurism” was launched and it began to reflect on its influence, in combination with some aspects of Cubism’s aspects.
In 1915 he participated in the futurist shows and, under the influence of Malévich’s suprematism, in 1918 he joined the Federation of Izquierdas of the Moscow Artists’ Union, and in 1920, he formed part as a member of the Institute of Artistic Culture (Injuk ), de Kandinsky.
A year later, the company launched a demonstration to abandon the painting of horsemanship and declared that “the organization of the elements of artistic production must be able to shape the elements of life, even the industry, which we call the production », since 1922 dedicated to textile and graphic design and theatrical staging. His premature death over the age of 35 took place in his career.
LOUISE BOURGEOIS, “LA MUJER ARAÑA”
If there was any engine in the career of Louise Bourgeois (1911–2010) fue the anguish, the pain, the fear and the insecurity, emotions or traumas that arrests from his childhood to later volcanoes in its original creation.
Nacida in Paris and nationalized stadium, was one of the most important artists of contemporary art. Step by step surrealism and abstract expressionism … to be known by its large format arcades. The largest is “Maman”, which has half a dozen highways.
And it is his spears, in homage to his mother, that he wears, representing a duplicity that represents nature and maternity -this mother, being a protector and a depressor in the vez-, ideas that forge his artistic identity. His works make reference to the human figure, expressing themes such as traction, solitude, traumas of his childhood, account, to discover the unity of his father with his niece.
Bourgeois favored equality for lesbians, gays, LGTBI, and created the piece “I do”, in support of homosexual matrimony in 2010. Murió has the same age, in New York for 98 years. His last pieces were finished only one week before his death. In 2011, one of its works titled “Araña” sold for $ 10.7 million in a subwoofer, setting the record for being the highest paid by the work of a woman.
GEORGIA O´KEEFFE Y LA NATURALEZA ABSTRACTA
Georgia O´Keeffe (1887-1986), a pioneer of contemporary art, formed in Chicago and New York School of Art, concocted as a martyr, gallerist and photographer Alfred Stieglitz.
Live between Hawaii and Mexico, it was decided to install it last 98 years. Through a wide range of colors and a wide range of colors and vibrant shapes, its embargo is not known to the general public, and can be widely received as members of the Academy of Arts of the Arts, the Presidential Medal of Liberty or the Medallion National de las Artes.
SONIA DELAUNAY, PIONERA JUNTO A SU MARIDO DEL ARTE ABSTRACTO
Nacida en Ucrania y criada in San Petersburgo (Rusia), Sonia Delaunay (1885-1979), tuvo una cosmopolita education. In 1905 he formed his formation in Paris where the artistic vanguards and the French painter Robert Delaunay were known, with which he was born in 1910.
Apart from entones, the artistic interchange of the Delaunay matrimony, pioneers of abstract art, intensely sought to unravel the orphanage or simultaneity, artistic coherence that utilizes the light and brilliant colors as a medium to create space and shapes.
In those years, there was a strained relationship with the surrealistes and they collaborated with them in the production of visual projects.