Mario Abner Colina
Agencia Reforma
Monday, 22 March 2021 | 10:41
Mexico City— There are 60 years that these titans, some of the most influential icons of the pop culture culture, are in a colossal circle for the first time. A giant radioactive, mysterious giant like an old samurai, against a colossal simio, intelligent and with human emotions.
Pero a diferencia de la pelicula de culto del nipón Ishiro Honda, aquí habrá un claro e indussutido ganador, promete Adam Wingard, el director de la esperada Godzilla vs Kong.
“We do not import as much as we want, we take them as public. The pastime is lost. In addition, we believe that we have a story that satisfies those who choose the winner.
“It’s important to me that I do not feel empathetic in this movie. If you look at the original (from 1962), the mayor criticizes the fact that it can happen that it has to be interpreted by someone”, reflects the director (Death Note) in an interview.
Cuarta entrega del llamado MonsterVerse, die sukkelende Godzilla vs Kong se estrenará en cines mexicanos el miércoles. It was one of the biggest titles launched during the pandemic, a wave to reactivate the industry.
“This movie is a show, a show. Its characters, its design, its effects. I want to motivate people to reconnect with each other. There are movies that you can watch at home, but this is not a of them. To me: record what is important is the film for us “, meditates Eiza González, one of the stars of elenco.
The actress discovered Maia, married to Walter Simmons (Demian Bichir), a technology magnate. It is convenient that the titans, especially Godzilla, with erratic behavior, are a problem that needs to be addressed.
It is not uncommon for Mexicans to participate in transcendental papers in a Hollywood film of this magnitude. Curiously, however, the result is that in a production where the astrologers are giant monsters, but this is not the general relationship of their interpretive compromise.
“For me, it’s the least responsibility. It’s never felt that a load carries the weight of a story or only a small part of it. The most interesting aspect of this is the use of imagination, the fundamental virtue for any actor. “And in practice this form seems to me to be a sensational gymnasium”, opina Bichir.
The story unfolds 5 years after Godzilla: Rey de los Monstruos (2019) and 51 after Kong: La Isla Calavera (2017). Explore the concept of Tierra Hueca, which occupied the thought of ancient and great civilizations of literature (Jules Verne).
“The idea is that there should be origins of the Titans, and tenemos that they are allied, (the secret organization) Monarch wants to be allied to ensure that he is an expert on humanity”, says Rebecca Hall, who interprets doctor Ilene Andrews , a studio of Kong.
As for the combats, here are the larger versions of the monsters in terms of real action scenes. Godzilla, of 120 metros, is not known to have alpha with life. Kong, de 102, no piensa arrodillarse ante nadie.
Airborne collisions with largometry, the first of them in the ocean, an aunt species, Wingard comments.
“The final battle (in Hong Kong) is the verdantera pelea. Ellos dicen: ‘Ok, vamos a despedazarnos’. Creerías que en uni ciudad estas en terreno de Godzilla, porque estamos acostumbrados a que ese sea el terreno donde pelea.
“Without embarrassment, we use the city as a great jungle for Kong, with editions in the form of arboles. It can use its intelligence against Godzilla and be of the mid-ambient value,” he said.