Abandonada the mansion of “Cantinflas”

Have a few tiktokers irrumpieron in the abandoned mansion of Luis Miguel to be alive, there will be another group of young girls in the house that Mario Moreno “Cantinflas” tenia in the gate warriors and the state in which the property is found is only the comparison of the song of “The unconditional”.

The girls Rolando Astudillo y Luis Mojica the intruders would make an attack on the terrain of the cual mostraron only the part of the marina that possessed the actor of “Ahí está del detalle”.

The images that are submerged in their social networks are made up of two, first by a drone, which is shown from the land of the mantle of Cantinflas to when cases of water enter the miniporto that ten, which is accompanied by an Alberca with a toboggan. Everything is in an advanced deterrent state.

Of the things that most call the attention is the culture of the great tamaño of the character Mimo of Mexico, the cual is loaded with a pharaoh with the classic pose of espera of Cantinflas, cruzado of brazos and a mano a cigar.

También will show some of the walls of the mansion, the one that contains abandoned paintings or walls of songs and sirens.

Where did Cantinflas come from?

Mario Fortino Alfonso Moreno Reyes, complete number of también called the “Charles Chaplin Mexicano”, was the sextet of the eight houses of the postal employee Pedro Moreno Esquivel and his wife María de la Soledad “Cholita” Reyes Guízar, women vivieron in various cases of the colonies Tepito and Guerrero. Sus hermanos se llamaban Pedro, José, Catalina, Esperanza, Roberto, Enrique y Eduardo.

Its economic situation was difficult and for Mario, of 16 years he was enlisted in the Ejército, entering the 3rd. Infantry Company and was sent to 20 Battalions, stationed in Chihuahua; to enter, his father wrote a card to the Armed Forces informing him that he had lost his oath, then only 16 years in place of the 21 that signifies the regulations.

In his regression, Mario intends to convert into a boxer, prepare in a gymnasium of the colony Guerrero and be presented with the episode of “El Chato” Moreno, but in the first fight he was killed.

Enttones decided to work in one of the carp’s aunts that offer spectacular variety in the city, where they are employed as pay, acrobat and bailarín; its first appearances the hizo with the white makeup brush and a pajama.

In 1931 he created the “Polito” character, a carpaid carpa presenting at the Azcapotzalco Salon which was interpreted in the Valentine Carpa, in the bar of Tacuba.

Lithuanian actor and actor’s contribution Estanislao Shilinsky Bachanska, quien ya trabajaba allí y con quien hizo dupla: uno come el comrere irreverente y bobo y eltro como el actor listo y serio. Shilinsky, who also converted to Moreno Reyes’ case in connection with Olga, la hermana de Valentina, helped the Mexican comedian create the world-famous character.

“Cantinflas” was inspired by a barrageous “borrachito” by number Olegario that the very best known work at the Follies Berger Theater, in the Garibaldi zone; as the typical “pelado o lépero” of the 30 years, he must have seen a boxer, taxista and lustrador of calzado as a bailarín.

The British comedian Charles Chaplin calificó entonces a “Cantinflas” como “el mejor comediante del mundo” y Mario fue escogido por Michael Todd to perform “Passepartout” (known in Latin America as “Picaporte”) in the spectacular production “La vuelta al mundo en 80 días”, filmed in 1956.

This work marks his debut in the English habla market in Hollywood and through his work, Moreno Reyes was honored with the Globe of Gold in the category of Major Actor of Comedy or Musical, while winning the Oscar-winning title as Major Película.

Otros projects that also called “Mimo de la Garbardina” made in the extranjero fueron “Pepe”, film of 1960 also made in the United States; as “Don Quixote new cabal”, directed in Spain in 1972.

In Mexico I also went to the tunes “El siete machos”, “El bombero atómico”, “Si yo fuera deputado”, “El señor fotógrafo”, “Abajo el telón” and “Ama a tu projimo”, which were hiccuped between 1950 in 1958, in addition to “El Bolero de Raquel”, elaborated in 1956 and which was his first color film.

Así como “Sube y baja” (1958), “El illfabeto” (1960), “El extra” (1962), “Entrega inmediata” (1963), “El padrecito” (1965), “El señor doctor” (1965 ), “Su exelencia” (1966), “Por mis pistolas” (1968), “Un Quijote sin mancha” (1969) and “El profe” (1971), to mention some.